{"id":13,"date":"2015-02-24T10:23:28","date_gmt":"2015-02-24T10:23:28","guid":{"rendered":"https:\/\/condescending-williams.194-60-87-163.plesk.page\/?p=13"},"modified":"2015-02-24T10:23:28","modified_gmt":"2015-02-24T10:23:28","slug":"sead-alic-radovi","status":"publish","type":"post","link":"https:\/\/seadalic.com\/index.php\/sead-alic-radovi\/","title":{"rendered":"Sead Ali\u0107 radovi"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\nNaslovnica<\/strong><\/span><\/a><\/div>\n<\/th>\n<\/tr>\n
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Radovi <\/strong><\/div>\n<\/th>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Social Roots of Insensibility and Narcissism <\/strong>
\nPhilosophy International Journal (ISSN: 2641-9130), Vol. 5 No. 4, 2022., Philos Int J
\n2022, 5(4): 000278 str. 1-8, DOI: 10.23880\/phij-16000278<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Filozofijsko ishodi\u0161te Sulejmanpa\u0161i\u0107eve kritike novinstva\/\u017eurnalizma<\/strong>
\nSulejmanpa\u0161i\u0107eva kritika \u017eurnalizma, ISBN 978-953-7922-23-8,
\nBNZH, Zagreb, 2022., str. 67-81<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Embargo na demokraciju<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 21, br. 49, ISSN 1332-2362, Zagreb, 2022., str. 91-94<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Anga\u017eirana i kriti\u010dka ontologija<\/strong>
\nPRAKTI\u010cKA ONTOLOGIJA Povodom 70 godina Lina Veljaka, ISBN 978-953-164-208-8,
Hrvatsko filozofsko dru\u0161tvo,
\nFilozofski fakultet Sveu\u010dili\u0161ta u Zagrebu, 2022., str. 19-26<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: How to unite the Heavens?<\/strong>
\nScience, Art and Religion, Vol. 1 No. 1, 2022., str. 48-55, https:\/\/doi.org\/10.5005\/jp-journals-11005-0005<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: The Bosnian Chalk Circle<\/strong>
\nScience, Art and Religion, Vol. 1 No. 1, 2022., str. 112-117, https:\/\/doi.org\/10.5005\/jp-journals-11005-0006<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Glasnogovornicima SANU snova uz dan nezavisnosti BiH<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 21, br. 49, ISSN 1332-2362, Zagreb, 2022., str. 21-24<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Tri prsta jedne ruke (Moskva \u2013 Beograd \u2013 Banja Luka)<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 21, br. 49, ISSN 1332-2362, Zagreb, 2022., str. 25-28<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Bezumlje govora mr\u017enje \u2013 biolo\u0161ka i kulturna dimenzija<\/strong>
\nFilozofska istra\u017eivanja 164, Vol. 41 No. 4, ISSN 0351-4706, Zagreb, 2021., str. 719-736,
\nPregledni \u010dlanak UDK: 316.613.434(045), doi: 10.21464\/fi41403<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Pad u prozu – Uz poeziju Pavla Vuk-Pavlovi\u0107a<\/strong>
\nIntegrativna bioetika i aporije psihe, ISBN 978-953-6576-85-2, izdava\u010di Pergamena d.o.o., Fakultet filozofije i religijskih znanosti sveu\u010dili\u0161ta u Zagrebu,
\nZnanstveni centar izvrsnosti za integrativnu bioetiku, Zagreb 2021., str. 345-350<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Je li u BiH mogu\u0107 diskurs radikalnog humanizma<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 20, br. 48, ISSN 1332-2362, Zagreb, 2021., str. 31-35<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Virus kao medij<\/strong>
\nMediji, pandemija, infodemija, ISBN 978-953-7986-29-2, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2021., str. 22-55<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Virus as Medium<\/strong>
\nMedia and Communication 3, ISBN 978-953-7986-30-8, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2021., str. 10-44<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: The Medium of Music<\/strong>
\nPhilosophy International Journal (ISSN: 2641-9130), Vol. 4 No. 1, 2021., Philos Int J 2021, 4(1): 000168 str. 1-9<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Terorizam ekonomije i totalitarizam neslobode<\/strong>
\nFilozofija i ekonomija, ISBN 978-953-164-203-3, izdava\u010d Hrvatsko filozofsko dru\u0161tvo, Zagreb 2020., str. 67-81<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Skrivena Agenda<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 19, br. 47, ISSN 1332-2362, Zagreb, 2020., str. 179-186<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Kadriranje islama<\/strong>
\nISLAM I MEDIJI, ISBN 978-953-6330-50-8, Islamska zajednica u Hrvatskoj, Zagreb, 2020., str. 207-217<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Filozofijske crtice o spoznajnoj dimenziji muzike<\/strong>
\nZrcalo medija, ISBN 978-953-7986-13-1, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2020., str. 115-125<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: SECONDARY SACREDNESS Sacredness in an information\u2013communication era <\/strong>
\nMedia and Communication 2, ISBN 978-953-7986-13-1, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2020., str. 115-125<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Foto\u0161opiranje svijesti<\/strong>
\nEidos – \u010dasopis za filozofiju i dru\u0161tveno – humanisti\u010dka istra\u017eivanja, godina III, br. 3, Zenica, 2019., str. 137\u2013145, Stru\u010dni rad UDK 327:316.77 UDK 316.77:327<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Philosophical Notes on Cognition and Music<\/strong>
\nPhilosophy International Journal (ISSN: 2641-9130), Volume 2 Special Issue 1, 2019., Philos Int J
\n2019, 2(S1): 000S1-002. str. 1-7<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Secondary Sacredness- Sacredness in an Information-Communication Era<\/strong>
\nPhilosophy International Journal (ISSN: 2641-9130), Vol. 2 No. 2, 2019., Philos Int J
\n2019, 2(2): 000120. str. 1-9<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: \u2018Literary\u2019 Analysis of State (Media) Terrorism in Orwell’s 1984<\/strong>
\nPhilosophy International Journal (ISSN: 2641-9130), Vol. 2 No. 1, 2019., Philos Int J
\n2019, 2(1): 000117. str. 1-7<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Teorijske pretpostavke za kriti\u010dko proptivanje i razumijevanje fenomena nacionalnog <\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 18, br. 46, Zagreb, 2019., str. 76-83
\n<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Odgoj za odgovornost<\/strong>
\nNa Sjeveru s Pavlom Vuk-Pavlovi\u0107em, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2018 \/ 2019, str. 60-69<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: \u2018Literary\u2019 Analysis of State (Media) Terrorism in Orwell\u2019s 1984<\/strong>
\nMedia and Communication, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2019., str. 48-61<\/a><\/td>\n<\/tr>\n
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Tekst u zborniku<\/div>\n<\/th>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Esteti\u010dka dimenzija filozofije odgoja<\/strong>
\nNa Sjeveru s Pavlom Vuk-Pavlovi\u0107em, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2017 \/ 2018,
\nstr. 137-143, UDK 140.8Vuk-Pavlovi\u0107<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Pjevanje vjere (O refleksivnoj i duhovnoj poeziji Enesa Ki\u0161evi\u0107a)<\/strong>
\nKreativnost i mediji, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2016.,
\nstr. 405-415, UDK 82-1E. Ki\u0161evi\u0107(092) Prethodno priop\u0107enje<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ivan Ladislav Galeta \u2013 istra\u017eiva\u010d medijskog prostora i medijskoga vremena<\/strong>
\nBudu\u0107nost medija, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2015., str. 306-319, Prethodno priop\u0107enje UDK 7:316.774Galeta, I. L.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Camuseve sugestije<\/strong>
\nKultura i dru\u0161tveni razvoj (II), Beograd, Megatrend univerzitet, 2015., str. 223-237, UDC 14 Camus A. 316.77:174 659.3\/.4:77<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: (Mas)medijski korijeni totalitarizma<\/strong>
\nZapisi o totalitarizmu, Osijek, Sveu\u010dili\u0161te Josipa Jurja Strossmayera u Osijeku, 2014., str. 283-302<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ni\u010deansko
\nnovinarstvo<\/strong>
\nMediji i javnost, Zagreb, Sveu\u010dili\u0161te Sjever i CFM, 2014., str. 477-491, Prethodno priop\u0107enje UDK 316.774:070 1-05Nietzsche, F. W.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Philosophy of Media – Is the Message<\/strong>
\nFilozofija i mediji, Zagreb, Hrvatsko filozofsko dru\u0161tvo, 2014., str. 33-43<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: The Synergy ofArtistic Approaches within the Opennessof New Media<\/strong>
\nUmjetnost i mediji, Zagreb, Medijsko sveu\u010dili\u0161te i CFM, 2013., str. 13-27, Izvorni \u010dlanak UDK 7.01:004.087<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Tolstoj i tisak, Tolstojeva upozorenja o mediju tiska<\/strong>
\nKultura i dru\u0161tveni razvoj, Beograd, Megatrend univerzitet, 2012., str. 193-201, UDK 821.161.1.09 Tolstoj L 316.774<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Medijsko sagorijevanje seksualnosti<\/strong>
\nZbornik radova Fakulteta Dramskih umetnosti 17, Beograd, 2012., str. 159-176, pregledni rad
\n316.776:159.922.1 316.77.929 Maklyan M. ID: 183371788
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\"\" <\/a><\/td>\nSead Ali\u0107: Globalizacija i medijska kultura<\/strong>
\nKomunikacije mediji kultura, Beograd, Megatrend univerzitet, 2010., str 621-634, UDC 316.774 ID 171974668
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\"\" <\/a><\/td>\nSead Ali\u0107: Perspektiva i mediji (od Platona do McLuhana)<\/strong>
\nVizualna konstrukcija kulture, Zagreb, 2009., str. 95-110<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Usmeno i pismeno (mediteranske kulture)<\/strong>
\nFilozofija Mediterana, Zagreb, 2009., str. 371-384, Izvorni \u010dlanak UDK 130.2 316.7 111.852<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Praksa avangarde i avangarda prakse (McLuhan u svjetlu pojma prakse Gaje Petrovi\u0107a)<\/strong>
\nGajo Petrovi\u0107 – \u010dovjek i filozof (zbornik radova s konferencije povodom 80. obljetnice ro\u0111enja),
Zagreb, 2008., str. 175-188, Izvorni \u010dlanak<\/a><\/td>\n<\/tr>\n
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Tekstovi u \u010dasopisima<\/div>\n<\/th>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Nonprofit and Profit Media<\/strong>
\nThe Philosophy of Media is the Message. Saarbr\u00fccken, LAP LAMBERT Academic Publishing, 2019., str. 141-144
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\"\" <\/a><\/td>\nSead Ali\u0107: \u0160to je nacionalna manjina?<\/strong>
\nMedijski dijalozi, Vol. 11, br. 32, Podgorica, novembar 2018., str. 125-132, UDK: 323.15
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\"\" <\/a><\/td>\nSead Ali\u0107: Jezik objave<\/strong>
\nFilozofska istra\u017eivanja 149, Zagreb, 2018., str. 161\u2013172, Pregledni \u010dlanak UDK 2-184:81(045)
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\"\" <\/a><\/td>\nSead Ali\u0107: Strah od spoznaje izvora (straha)<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 17, br. 45, Zagreb, 2018., str. 168-176<\/p>\n

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\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Globalno rati\u0161te i glasovi iz pustinje<\/strong>
\nFilozofska istra\u017eivanja 145, Zagreb, 2017., str. 71\u201381, Pregledni \u010dlanak UDK 659.3:323.285(045)
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Appropriating the Licence to Creativity<\/strong>
\nSynthesis philosophica 64, Vol. 32 No. 2, Zagreb, 2017., str. 387-400, Professional paper UDC 1:159.954(045)
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Postmoderna pri\u010da pri\u010de o kraju pri\u010da<\/strong>
\nMedijski dijalozi, Vol. 10, br. 27-28, Podgorica, maj 2017., str. 35-44, UDK:141.78
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Veliki inkvizitori<\/strong>
\nDHS-Dru\u0161tvene i humanisti\u010dke studije: \u010dasopis Filozofskog fakulteta u Tuzli br. 2,
\nTuzla, 2017., str. 67\u201378, Stru\u010dni rad UDK 821.161.1:27 Dostojevski, F.M.)<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Odgovor Abdennour Bidaru na njegovo \u201eotvoreno pismo muslimanskom svijetu\u201c <\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 16, br. 44, Zagreb, 2017., str. 115-124
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Monopol na nemoral<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 15, br. 42-43, Zagreb, 2016., str. 107-112
\n<\/a><\/td>\n<\/tr>\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Globalni ekran<\/strong>
\nLogos, Tuzla, vol.4, br.1, juli 2016., str. 95-118, Izvorni znanstveni \u010dlanak UDK: 316.774:654.1
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Informacija ili \u201eupravljanje percepcijom\u201c<\/strong>
\nMedijski dijalozi, Vol. 9, br. 24, Podgorica, maj 2016., str. 57-69, UDK:316.776
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\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Seobe nacija u brend<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 14, br. 40-41, Zagreb, 2015., str. 45-51
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\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Reformiranje (mas)medija – prijedlozi promjena pravnih, programskih i eti\u010dkih dimenzija hrvatskih masmedija<\/strong><\/p>\n

Medijski dijalozi, Vol. 7, br. 20, Podgorica, novembar 2014., str. 33-54, UDK:316.774:654.1(497.5)
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Kako postaviti pitanje?<\/strong>
\nBo\u0161nja\u010dka pismohrana, svezak 13, br. 38-39, Zagreb, 2014., str. 207-218
\n<\/a><\/td>\n<\/tr>\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Odnos Europe i islama – Kako postaviti pitanje?<\/strong>
\nBehar, br. 117-118, Zagreb, 2014., str. 9-15
\n<\/a><\/td>\n<\/tr>\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Novinar – umjetnik u gladovanju<\/strong>
\nMedijski dijalozi, Vol. 7, br. 19, Podgorica, maj 2014., str. 139-152, UDK:070.1<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Komunikacijski stampedo<\/strong>
\nSarajevski \u017eurnal za dru\u0161tvena pitanja, Vol. 2, br. 2, Sarajevo, jesen\/zima 2013., str. 111-121<\/a><\/td>\n<\/tr>\n
\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Tipografska svijest i novinarstvo<\/strong>
\nMedijski dijalozi, Vol. 6, br. 16, Podgorica, maj 2013., str. 103-116, UDK:316.774:070:32<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Aula est pro nobis<\/strong>
\n Novi val i filozofija, Zagreb, Jesenski i Turk, 2012., str 91-97<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: \u010cemu filozofija \/ ako nije filozofija \/ medija<\/strong>
\nKultura, Beograd, 2012., str. 26-41, DOI 10.5937\/kultura1133026A, UDK 101:316.776 315.77:141.319.8″20″<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Istina iz fotografskog stroja<\/strong>
Kultura, Beograd, 2012., str. 249-268, UDK 77.01:111.852<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Identitet i identiteti<\/strong>
\nBo\u0161nja\u010dka pismohrana
\nSvezak 11, br. 34-35,
\nZagreb, 2012., str. 47-55
\n<\/a><\/td>\n<\/tr>\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107, Livia Pavleti\u0107: Istok i Zapad ljudskoga mozga<\/strong>
\nFilozofska istra\u017eivanja 122, Zagreb, 2011., str. 354-364, Pregledni \u010dlanak (1:316.774):612.82
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Informiranje ili uniformiranje?<\/strong>
\nVerodostojnost medija dometi medijske tranzicije, Beograd, Fakultet politi\u010dkih nauka,
\nUniverzitet u Beogradu, 2011., str. 285-297, UDC 316.774:1 659.3:32
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Mediji i znanost<\/strong>
\nMediji i znanost, HND, Zagreb, 2011., str. 57-60
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Kako urediti medijsku mo\u010dvaru<\/strong>
\nNovinar, br. 1\/2\/3\/, HND, Zagreb, 2011., str. 18-21<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Philosophy of Media – Is the Message<\/strong>
\nSynthesis philosophica 50, Zagreb, 2010., str. 201-210, Original Paper UDC 1:316.774
\n<\/a><\/td>\n<\/tr>\n
\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Medij jezika<\/strong>
\nMetodi\u010dki ogledi, Vol. 17, br. 1-2, Zagreb, 2010., str. 107-132<\/p>\n

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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Identity and Violence<\/strong>
\nNews and Views (The Journal of the International Academy for Philosophy),
Vol. 2, No. 3(27), Yerevan-Athens-Berkeley-Vienna, 2010., str. 26-45
\n<\/a><\/td>\n<\/tr>\n
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Business politike i medija u dobu zastarjelih pojmova<\/strong>
\nZeni\u010dke sveske, br. 11, Zenica, 2010., str. 51-63
\n<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ritualno i plesno pam\u0107enje u usmenoj kulturi<\/strong>
\nKultura, Beograd, 2010., str. 11-23, UDK 394.3:316.72
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Poznati McLuhan<\/strong>
\nBehar, br. 89, Zagreb, 2009., str. 25-31
\n<\/a><\/td>\n<\/tr>\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: \tMasovno slobodni<\/strong>
\nFilozofska istra\u017eivanja 114, Zagreb, 2009., str. 271-280, Izvorni \u010dlanak UDK (1:316.774):379.8
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik Eophe (2)<\/strong>
\n Zarez br.261-262, Zagreb, godi\u0161te XI, 9. srpnja 2009., str. 16
\n<\/a><\/td>\n<\/tr>\n
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik Eophe<\/strong>
\nZarez br.259, Zagreb, godi\u0161te XI, 11.lipnja 2009., str. 6
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\"\" <\/a><\/td>\nSead Ali\u0107: Globalno selo<\/strong>
\nFilozofska istra\u017eivanja 113, Zagreb, 2009., str. 51-61, 1:316.774 M. McLuhan
\n<\/a><\/td>\n<\/tr>\n
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Perspektiva slikovnog i verbalnog<\/strong>
\nVizura br. 3-4, Sarajevo, 2008., str. 40-49<\/a><\/td>\n<\/tr>\n
\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Perspektiva i mediji<\/strong>
\nTvr\u0111a br. 1-2, Zagreb, 2008., str. 63-73<\/a><\/td>\n<\/tr>\n
\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Filozofija prakse u retrovizoru mediologije<\/strong>
\nFilozofska istra\u017eivanja 111, Zagreb, 2008., str. 555-565, Izvorni \u010dlanak UDK 141.82: 130.2<\/a><\/td>\n<\/tr>\n
\n
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Vilem Flusser – Filozofija fotografije<\/strong>
\nFilozofska istra\u017eivanja 111, Zagreb, 2008., str. 780-781<\/a><\/td>\n<\/tr>\n
\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Razlozi za filozofiju medija<\/strong>
\nMioko: mediji i okolina,
\nNovi Sad, 2008., str. 80-85<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: G\u00f6bbelsova galaktika – galaktika manipulacija<\/strong>
\nZeni\u010dke sveske, br. 6, Zenica, 2007., str. 215-226<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ki\u0161evi\u0107, pjesnik molitve<\/strong>
\nZarez, br. 217, Zagreb, 2007., str. 36-37<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Samoosu\u0111enik
\nRukopis ti\u0161ine vra\u0107a nas na pravi put<\/strong>
\nZarez, br. 207, Zagreb, 2007., str. 38-39<\/a><\/td>\n<\/tr>\n
\n
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Copy-paste kultura, Od Mehani\u010dke mlade do copy-paste kulture<\/strong>
\nFilozofska istra\u017eivanja 109, Zagreb, 2007., str. 63-74, Izvorni \u010dlanak UDK 130.2\/McLuhan<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Verbalna seciranja vizualne konstrukcije kulture<\/strong>
\nFilozofska istra\u017eivanja 108, Zagreb, 2007., str. 1024-1025<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Me\u0111unarodna konferencija “Re-reading McLuhan on Media and Culture in the 21st Century”<\/strong>
\nFilozofska istra\u017eivanja 106, Zagreb, 2007., str. 484-487<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ekstenzija – medij – praksa
\n(McLuhan u svjetlu pojma prakse Gaje Petrovi\u0107a)<\/strong>
\nZarez, br. 203, Zagreb, 2007., str. 20-21<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Moramo zakonski uravnote\u017eiti ozbiljne i komercijalne medije<\/strong>
\nVjesnik, Zagreb, 24. 2. 2012.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Kako su RTL i HTV postali prostor za emitiranje sapunica<\/strong>
\nVjesnik, Zagreb, 09. 2. 2012.<\/a><\/td>\n<\/tr>\n
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ljubav je zarobljena<\/strong>
\nVjesnik, Zagreb, 10. 1. 2012.<\/a><\/td>\n<\/tr>\n
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\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Frekvenciju Radija 101 dati civilnom dru\u0161tvu<\/strong>
\nVjesnik, Zagreb, 14. 11. 2011.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Masmediji reduciraju sve ljudsko na potro\u0161a\u010dko<\/strong>
\nVjesnik, Zagreb, 15. 9. 2011.<\/a><\/td>\n<\/tr>\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Strah od slobode<\/strong>
\nVjesnik, Zagreb, 25. 2. 2011.<\/a><\/td>\n<\/tr>\n
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\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Uzgajanje stereotipa<\/strong>
\nVjesnik, Zagreb, 28. 1. 2011.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ubijanje javnog mnijenja<\/strong>
\nVjesnik, Zagreb, 06. 1. 2011.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Teorija medijskoga kaosa<\/strong>
\nVjesnik, Zagreb, 19. 1. 2010.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Elektroni\u010dko umna\u017eanje (nogometne) mr\u017enje<\/strong>
\nVjesnik, Zagreb, 03. 11. 2009.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: \u0160utnja u eri sve glasnijih medija<\/strong>
\nVjesnik, Zagreb, 05. 10. 2010.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Svaka je tehnologija imala svoje usko grlo<\/strong>
\nVjesnik, Zagreb, 23. 6. 2009.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Sretni strojevi<\/strong>
\nVjesnik, Zagreb, 15. 6. 2009.<\/a><\/td>\n<\/tr>\n
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\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Poslovanje s podsvije\u0161\u0107u<\/strong>
\nVjesnik, Zagreb, 04. 5. 2009.<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Priroda medija<\/strong>
\nVjesnik, Zagreb, 17. 3. 2009.<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Kriza povjerenja<\/strong>
\nVjesnik, Zagreb, 25. 2. 2009.<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Nasilje masmedija<\/strong>
\nVjesnik, Zagreb, 20. 1. 2009.<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Visoka na\u010dela i niske strasti<\/strong>
\nVjesnik, Zagreb, 22. 12. 2008.<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Nali\u010dje masmedija<\/strong>
\nVjesnik, Zagreb, 18. 11. 2008.<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 93, Zagreb, 2008., str. 42-43<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 92, Zagreb, 2008., str. 26-27<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 91, Zagreb, 2008., str. 40-41<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 90, Zagreb, 2008., str. 64-65<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 88\/89, Zagreb, 2008., str. 40-41<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 87, Zagreb, 2008., str. 22-23<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 86, Zagreb, 2008., str. 52-53<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 85, Zagreb, 2008., str. 27-28<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 84, Zagreb, 2008., str. 35<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 82\/83, Zagreb, 2008., str. 68<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 81, Zagreb, 2007., str. 26<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 80, Zagreb, 2007., str. 24-25<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 79, Zagreb, 2007., str. 30-31<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 78, Zagreb, 2007., str. 30-31<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Rje\u010dnik epohe
\n(Prilozi za rje\u010dnik tranzicijskog hrvatskog jezika)<\/strong>
\nEpoha, br. 77, Zagreb, 2007., str. 26-27<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Povijesna krivnja propagande<\/strong>
\nZvono, br. 23, Zagreb, 2003., str. 30-31<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Religijska snaga logotipa Korijeni suprostavljana<\/strong>
\nZvono, br. 22, Zagreb, 2003., str. 24-25<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Knji\u017eevni korijeni propagande<\/strong>
\nZvono, br. 15, Zagreb, 2002., str. 16-17<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Medij nije samo poruka<\/strong>
\nZvono, br. 14, Zagreb, 2002., str. 20-21<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Politika kao propaganda<\/strong>
\nZvono, br. 11, Zagreb, 2002., str. 6-7<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Prokletstvo slogana<\/strong>
\nZvono, br. 10, Zagreb, 2002., str. 32-33<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Marketin\u0161ki oblikovani Bo\u017ei\u0107<\/strong>
\nZvono, br. 9, Zagreb, 2001., str. 21-23<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Platonova katedrala duha<\/strong>
\nZvono, br. 006, Zagreb, 2001., str. 31-32<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Inicijativa dobrih vibracija<\/strong>
\nZvono, br. 005, Zagreb, 2001., str. 34-35<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Budu\u0107nost kulture je u sponzorstvu!<\/strong>
\nZvono, br. 002, Zagreb, 2001., str. 40-42<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: (Ne) vrijeme kulture<\/strong>
\nZvono, br. 001 (o\u017eujak), Zagreb, 2001., str. 38-39<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Kockasto okru\u017eje marketinga kulture<\/strong>
\nZvono, br. 001 (sije\u010danj), Zagreb, 2001., str. 34-35<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Erotika i politika<\/strong>
\n\u010casopis “Polja”, broj 346, Novi Sad
\nmjese\u010dnik za kulturu i umjetnost, 1987., str. 502-506<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Iskustvo i filozofija<\/strong>
\n\u010casopis “Polja”, broj 338-339, Novi Sad mjese\u010dnik za kulturu i umjetnost, 1987., str. 183-187<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Walter Benjamin – “Estetski ogledi”<\/strong>
\n\u010casopis “Polja”, broj 333, Novi Sad
\nmjese\u010dnik za kulturu i umjetnost, 1986., str. 485<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Iskustvo i vrijeme<\/strong>
\n\u010casopis “Polja”,
\nbroj 326, Novi Sad
\nmjese\u010dnik za kulturu i umjetnost, 1986., str. 165-167<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Iskustvo i tehnika<\/strong>
\n\u010casopis “Polja”, broj 321, Novi Sad
\nmjese\u010dnik za kulturu i umjetnost, 1985., str. 408-411<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\n Sead Ali\u0107, Kre\u0161imir Kufrin: Ali \u017eivimo kot v bajki?<\/strong>
\nMladina, \u0161tevilka 17\/8, Slovenija, 1987., str. 21-28<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\n
Publicistika<\/div>\n<\/th>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nArsen Dedi\u0107<\/strong>
\n<\/a>
\nMiljenko Jergovi\u0107<\/strong>
\n<\/a>
\nMate Maras<\/strong>
\n<\/a>
\nJulijana Matanovi\u0107<\/strong>
\n<\/a>
\nTahir Muji\u010di\u0107<\/strong>
\n<\/a>\n<\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nJak\u0161a Fiamengo<\/strong>
\n<\/a>
\nEnes Ki\u0161evi\u0107<\/strong>
\n<\/a>
\nIgor Mandi\u0107<\/strong>
\n<\/a>
\nEdo Popovi\u0107<\/strong>
\n<\/a>\n<\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\n
Prikazi knjiga<\/div>\n<\/th>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Kafka – Benjamin
\n(Knji\u017eevno i misaono evidentiranje destrukcije tradicionalnog iskustva)<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Benjamin – Proust
\n(Proustov nagovje\u0161taj Benjamina ili Benjaminova interpretacija Prousta)<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Teologija i marksizam
\n(Uvod u interpretacije teza Waltera Benjamina)<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Benjaminovo shva\u0107anje jezika<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Walter Benjamin – Esztetikai tanulmanyok<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Stanko Lasi\u0107 – Krle\u017ea<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Mikel Difren – Umjetnost i politika<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Herbert Marcuse – Prilozi za fenomenologiju istorijskog materijalizma<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Herbert Marcuse – Hegelova ontologija i teorija povijesnosti<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Volfgang Fric Haug – Kritika robne estetike<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: G. W. F. Hegel – Pravni i politi\u010dki spisi<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Sreten Petrovi\u0107 – Marksisti\u010dka kritika estetike<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Erik Vajl – Politi\u010dka filozofija<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: \u00d0uro \u0160u\u0161nji\u0107 – Cvetovi i tla<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: G. W. F. Hegel – Rani spisi<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Leonid Stolovi\u010d – Su\u0161tina estetske vrednosti<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: G. W. F. Hegel – Jenski spisi<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Danko Grli\u0107 – Za umjetnost<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: K\u00e4te Hamburger – Istina i estetska istina<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Christoph Hering – Der intellektuelle als revolution\u00e4r<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Milan Kangrga – Etika ili revolucija<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Goran Greti\u0107 – Samosvijest i apsolutno<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
\n
\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Martin D\u017eej – Dijalekti\u010dka imaginacija<\/strong>
\n<\/a><\/td>\n<\/tr>\n
\n
\n  \n<\/div>\n<\/td>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Martin Lings – “\u0160ta je sufizam” i Titus Burckhardt: “Uputa prema unutarnjem u\u010denju islama”<\/strong>
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Tekst za internet online<\/div>\n<\/th>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Trebamo i odgoj za medije<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 14. 3. 2012.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Moramo zakonski uravnote\u017eiti ozbiljne i komercijalne medije<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 27. 2. 2012.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Kako su RTL i HTV postali prostor za emitiranje sapunica<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 12. 2. 2012.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Strah od slobode<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 12. 3. 2011.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Uzgajanje stereotipa<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 28. 1. 2011.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Ubijanje javnog mnijenja<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 7. 1. 2011.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Teorija medijskoga kaosa<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 20. 1. 2010.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: \u0160utnja u eri sve glasnijih medija<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 11. 10. 2009.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Emitiranje la\u017ei<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 26. 6. 2009.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Priroda medija<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 19. 3. 2009.<\/a><\/td>\n<\/tr>\n
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\"\" <\/a><\/td>\nSead Ali\u0107: Kriza povjerenja<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 03. 3. 2009.<\/a><\/td>\n<\/tr>\n
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\n  \n<\/div>\n<\/td>\n<\/tr>\n
\"\" <\/a><\/td>\nSead Ali\u0107: Nasilje masmedija<\/strong>
\nDugi Rat Online, Dugi Rat, Izvor: Vjesnik, 24. 1. 2009.<\/a><\/td>\n<\/tr>\n
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\n  \n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Naslovnica       Radovi       Sead Ali\u0107: Social Roots of Insensibility and Narcissism Philosophy International Journal (ISSN: 2641-9130), Vol. 5 No. 4, 2022., Philos Int J 2022, 5(4): 000278 str. 1-8, DOI: 10.23880\/phij-16000278       Sead Ali\u0107: Filozofijsko ishodi\u0161te Sulejmanpa\u0161i\u0107eve kritike novinstva\/\u017eurnalizma Sulejmanpa\u0161i\u0107eva kritika \u017eurnalizma, ISBN 978-953-7922-23-8, BNZH, Zagreb, 2022., str. 67-81       […]<\/p>\n","protected":false},"author":1,"featured_media":12,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[5],"tags":[24,27,23,26],"class_list":["post-13","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sead-alic-radovi","tag-alic","tag-radovi","tag-sead","tag-sead-alic-radovi","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nSead Ali\u0107 radovi - 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